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With Toho eager to see a screenplay - then only in the treatment phase - Hammer regular Christopher Wicking ( To the Devil a Daughter, Scream and Scream Again) was tasked with delivering one on a fast turnaround. He came on board as a producer, joining Hammer studio head Michael Carreras, Hammer board member Euan Lloyd, and Toho producer Tomoyuki Tanaka.
ROAD TO NOWHERE MOVIE MOVIE
Upon learning that British media personality David Frost (of Frost/Nixon fame) was developing his own Loch Ness monster movie titled Carnivore, Hammer reached out and Frost suggested they join forces. Godzilla franchise veteran Teruyoshi Nakano would serve as special effects director on the production.
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Knowing special effects would be vital to the project’s success, Hammer entered an agreement with Toho-Towa to contribute a portion of the budget to be dedicated to special effects in exchange for Far East distribution rights. It began with a treatment by Clarke Reynolds, who previously penned 1967’s The Viking Queen for Hammer and was best known for 1968’s Shalako starring Sean Connery. Having struggled to secure financing and international distribution on several prior projects, Nessie seems to have been Hammer’s attempt to eschew Gothic horror’s dwindling popularity in favor of a larger spectacle with wider appeal. Thus begins a globe-trotting rampage from Scotland to the Canary Islands and Hong Kong harbor, tangling with tuna boats, a nuclear submarine, and an oil rig along the way. The ambitious film would have opened with a truck containing a dangerous chemical crashing near Loch Ness, awakening the ancient, dormant monster from its murky depths. Partially inspired by the success of Jaws, various scripts were drafted and a promotional poster was created, but the project never came to fruition. Once upon a time we came close to getting a really exciting Nessie movie, though.īack in 1976, two of the most renowned international genre studios - Toho, the Japanese kaiju kings behind the Godzilla franchise, and Hammer, the British film company known for its Gothic monster movies in vivid color - began developing a co-production titled Nessie. The news got me thinking about how, despite being the most well-known cryptid next to Bigfoot, Nessie is rarely depicted in horror cinema. Be sure to check out the trailer for ROAD TO NOWHERE, dubbed by the Austin Post as “the most beautiful trailer ever.The existence of the Loch Ness Monster is plausible, according to scientists who discovered fossils of an extinct, long-necked reptile in what used to be a freshwater river system in modern day Morocco. "Monte Hellman's first feature film in 21 years is one of his finest and deepest, a twin peak to his 1971 masterpiece, TWO-LANE BLACKTOP." - Variety. "May also be as significant to the indie feature as AVATAR is to the popcorn movie." - The New York Times. "A certifiable masterpiece." - Film Comment. Official selection of the Venice Film Festival, Palm Springs International Film Festival and SXSW. Shot with economic practicality on the Canon 5D and using traditional still-photo lenses, Monte Hellman's mind-bending mood piece is as aesthetically hypnotic as it is emotionally beguiling. Meanwhile, Haven's obsession with his beautiful lead grows deeper and more profound. Haven's lead actress (played with alternating relish and calm assurance by Shannyn Sossamon) bears an uncanny resemblance to the actual missing femme fatale, and the crew begins to uncomfortably wonder if the actress and murderer are one and the same.
ROAD TO NOWHERE MOVIE SERIES
In this expectation-confounding, enigmatic film-within-a-film, a director (cleverly named Mitchell Haven, and played by an excellent Tygh Runyan) struggles with a series of unsettling catastrophes that beset his small film based on a "true story" murder mystery and the following disappearance of a young woman.